Monday, February 7, 2011

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is not dead




Finally though, and it officially since January 31, 2011, of a heart attack at his home in Oyster Bay, New York. But his work, his music, his songs will remain forever engraved in the hearts of millions of people around the world. John Barry was 77 years and more than 100 films behind him.

Play the John Barry, is from a fabulous trip. Of all the composers of film music is one of the few to have so marked the world's collective unconscious, perhaps with Bernard Herrmann, Ennio Morricone and John Williams. Of the four, the second to go, and as some commentators say is a little end of an era.

If John Barry did not write for the cinema since 2001, and Enigma is above all that he no longer recognized in the 7th art. He turned back to James Bond a long time and became more and more demanding with producers and directors. His music was not only serving the screen but existed independently, where his two albums orchestral he should listen again: Eternal Echoes and The Beyondness of Things.

To salute this great artist, whose soundtrack were the heyday of Nova at the cinema, here is a list of links to visit to get an idea of his work. It will be completed in the near future.

A return in detail on his career the excellent Underscore site. Telerama also returns its path with extracts.

To read this interview on the site Inrocks.

Here's your chance to listen to John Barry and his deep voice, with this radio interview dating from 1993 in which he returns in detail about his work on soundtracks for James Bond. It tells the full freedom when writing these songs, including Goldfinger. was his entire career that he preferred. Here is a totally fabulous interpretation of the song live by Shirley Bassey.

John Barry also tells Harry Saltzman, one of the producers of James Bond, hated the song. To say that we almost miss a masterpiece is chilling.

He also mentioned the tremendous importance for him notes minor and the influence that had on him the Russian composers: Shostakovich, Prokofiev, Stravinsky. His acute sense of drama if follows from that.

A big thank you to John Barry. His work, so rich, his music, so powerful and delicate at once, far beyond the boundaries of music for film and made him one of the greatest composers of the 20th century.

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